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Millennium Dome

The Millennium Dome is a large dome that was constructed on the Greenwich peninsula in the Docklands area of London.

Table of contents
1 Millennium Celebrations
2 Subsequent Uses
3 Aftermath
4 The Engineering
5 The Politics
6 The Exhibits
7 Chronology of the Project
8 On Film
9 See also

Millennium Celebrations

The project was financed by the UK government to celebrate the arrival of the 3rd millennium AD. Its exterior is reminiscent of the dome built for the Festival of Britain in 1951. The architect was Richard Rogers.

During the whole of 2000 the Dome was open to the public, and contained a large number of attractions and exhibits. These were dismantled at the end of the year, then auctioned off.

Subsequent Uses

Winter Wonderland 2003

Despite an ongoing debate about the Dome's future use (see
aftermath below), the Dome opened again during December 2003 for the Winter Wonderland 2003 experience. The event will culminate in a laser and firework display on New Year's Eve. External Link.

Aftermath

The Dome is now normally closed. It is still of interest to the press, the government's difficulties in disposing of the Dome being the subject of much critical comment. The amount spent on maintaining the closed building has also been criticised. Some reports indicated the Dome was costing £1 million per month to maintain during 2001, but the government claimed these were exaggerations.

In December 2001 it was announced that Meridian Delta Ltd. had been chosen by the government to develop the Dome as a sports and entertainment complex, and to develop housing, shops and offices on 150 acres of surrounding land. Meridian Delta is backed by the American billionaire Phillip Anschutz, who has interests in oil, railroads, and telecommunications (the troubled Qwest), as well as a string of sports-related investments. They intend to demolish and redevelop the site of the London Arena at Crossharbour on the Isle of Dogs as part of their scheme to establish a programme of mass entertainments in the Dome.

The Engineering

Setting aside the political and financial failings of the project, the Dome is an impressive structure, and the largest single roofed structure in the World. Externally it appears as a large, brilliant white marquee with twelve 100m-high yellow-painted support towers. In plan view it is circular, 365m in diameter, with scalloped edges. It has become one of England's most easily recognised, if not best loved, landmarks. It can easily be seen on aerial photographs of London, including the title sequence of the popular soap-opera EastEnders.

The canopy is made of PTFE, a highly durable and weather-resistant plastic, and is 50m high in the middle. Its symmetry is interrupted by a hole through which a ventilation shaft from the Blackwall Tunnel rises.

Apart from the Dome itself, the project included the reclamation of the entire Greenwich peninsula. The land was previously derelict and contaminated by toxic sludge from an earlier gasworks that operated from 1889 to 1985. The clean-up operation was seen by the deputy Prime Minister Michael Heseltine as an investment that would add a large area of useful land to the crowded capital. This was billed as part of a larger plan to regenerate a large, sparsely populated area to the east of London and south of the River Thames, an area initially called the East Thames Corridor but latterly marketed as the "Thames Gateway".

The Politics

The project was largely perceived by the press to have been a flop: badly thought-out, badly executed, and leaving the government with the embarrassing question of what to do with it afterwards. Part of the problem was that the financial predictions were based on unrealistically high forecasts of visitor numbers. During 2000 the organisers repeatedly asked for, and received, more cash from the government.

The Exhibits

Another major problem was that, having inherited a grandiose project for a Festival of Britain or World's Fair-type showcase from the previous Tory government, the organisers of the project did not in fact have much of an idea of what to place in it for the public to see. The result was a disjointed assemblage of thinly-veiled corporate-sponsored promotions, burger stalls, and lacklustre museum-style exhibits that were so weak as to appear almost as parodies.

The interior space was subdivided into 14 so-called zones - Body, Work, Learning, Money, Play, Journey, Self Portrait, Living Island, Talk, Faith, Home Planet, Rest, Mind, and Shared Ground. Some of the Zones were perceived as lacking in content and pandering to political correctness. The Journey Zone, outlining the history and development of transportation, was one of the few singled out for praise.

The central stage show had music by Peter Gabriel and an acrobatic cast of 160, and was performed 999 times over the course of the year. A specially commissioned Blackadder film was shown throughout the year in a separate cinema on the site. These features escaped the criticism that was heaped on the rest of the project although the lyrics and meaning of the spectacular stage show were impossible to follow. The music was later released on Gabriel's album Ovo (complete with lyrics!), but sadly there seems to be no video record of the show. It would in any case be impossible to do justice to the scale of the show on video, although an IMAX film might just have managed to. It should be added that had the higher forecasts of attendance proved correct, then the visitors' enjoyment would have been greatly reduced by queuing and general congestion.

Chronology of the Project

On Film

The Dome featured in the
1999 James Bond movie The World Is Not Enough

See also