Aida is also a musical in two acts with music by Elton John; lyrics by Tim Rice; book by Linda Woolverton, Robert Falls, and David Henry Hwang. First produced on Broadway in 2000. The musical is loosely based on the opera.
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2 ACT I.
3 ACT II.
4 ACT III.
5 ACT IV.
Aida, the unknown daughter of the ethiopian King Amonasro, lives at Memphis as a slave. Her father has made an incursion into Egypt to deliver her. Aida loves Radames, a young warrior (Romanza, Radames: "Heavenly Aïda"), but has a dangerous rival in Amneris, the daughter of the egyptian king. (Duet, Radames, Amneris: "In thy visage I trace.") Incited by Amneris, the high priest Ramfis (Terzett, Aida, Amneris, Radames: "Oh fate o'er Egypt looming") declares that Radames has been selected by Isis to be the leader of the army against Amonasro. (Battle Hymn: "On ! Of Nilus' sacred river, guard the shores.") Aida's heart is torn between her love for her father and for Radames, and she remains at Memphis. (Scene, Aïda: "Return a conqueror.")
Solemn ceremonies and dance of priestesses. (Chorus of priestesses: "O mighty Ptha.") Installation of Radames to the office of commander-in-chief. (Prayer, Ramfis and chorus: "O mighty one, guard and protect!")
Amneris' chamber. Festal dances and music. (Chorus of women: "Our songs his glory praising.") Amneris receives her slave Aida and cunningly draws from her the avowal of her love for Radames. (Scene and duet, Amneris, Aida: "The chances of war afflict thy people, poor Aida;" Aida: "O love, O joy tormenting.")
Radames returns victorious. (Chorus, king and people: "Glory to Egypt, to Isis!") Grand triumphal march, Amonasro appears as a captive; unrecognised except by Aida. He declares that the Ethiopian king has been slain in battle. (Amonasro: "This my garment has told you already.") The prisoners are released at the request of Radames, and the grateful King of Egypt declares him his successor and the betrothed of his daughter.
(Chorus of priests and priestesses: "O thou who to Osiris art!") Amonasro and Aida are held as hostages (Aria, Aida: "Oh, my dear country!") and he forces her to learn from Radames the position of the Egyptian army. (Duet, Aida, Amonasro: "Once again shalt thou gaze.") Radames only seemingly consents to become the husband of Amneris, and is persuaded through love for Aida to give her the information required by her father. (Duet, Radames, Aida: "Again I see thee.") When Amonasro reveals his identity and flies with Aida. the despairing Radames allows himself to be taken prisoner. (Terzett, Amonasro, Aida, Radames: "I am dishonoured.")
Amneris (Scene, Amneris: "My hated rival has escaped me") desires to save Radames, but he repulses her (Duet, Amneris, Radames: "Now to the hall the priests proceed"), and is condemned to death. The sentence is that he shall be buried alive. (Judgment scene, Amneris, Ramfis and chorus: "Heavenly spirit, descend.")
Aida has come to die with Radames. (Scene and duet, Radames, Aida: "The fatal stone now closes over me.") They accept their terrible fate (Radames: "To die, so pure and lovely"), bid farewell to earth and its sorrows, and await the Dawn, while Amneris prays above their tomb in the midst of the priestly ceremonies, and the jubilant dance of the priestesses. (Finale, chorus of priests and priestesses: "Almighty Ptha.")
Plot after The Opera Goer's Complete Guide by Leo Melitz, 1921 version. and the 6th edition of The Victrola Guide to the Opera.