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A major concern of Roth's fiction since the 1970s has been the relationship between a writer's life and work. Though this topic is thoroughly explored in Roth's series of Zuckerman novels, Operation Shylock even more radically attacks the distinction between life and art by making a fairly mimetic version of the author the protagonist of an obviously invented (though plausible) story.
Yet despite this effort, seperating the real from the fictional in Operation Shylock is not wholly impossible. Specifically:
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