|Table of contents|
2 Major Works
4 External Links
Pérez came to prominence when he started illustrating The Avengers for Marvel Comics, starting with vol. 1 #141. His early style seemed very much influenced by Jack Kirby, one of Marvel's leading creators from the 1960s, albeit with a stronger sense of anatomy and a penchant for making his worlds seem bright and beautiful.
Pérez soon moved ovber to work for DC Comics. Following a popular stint on Justice League of America, Pérez's career took off with the launch of The New Teen Titans, written by Wolfman. This incarnation of the Teen Titans was intended to be DC's answer to Marvel's increasingly-popular X-Men comic, the Wolfman and Pérez indeed struck gold. Moreover, Perez' facility with layouts, details, and faces improved enormously during his four years on the book, making him one of the most popular artists in comics.
Wolfman and Pérez followed this with DC's 50th-anniversary event, Crisis on Infinite Earths, which purportedly featured every single character DC owned in a story which radically restructured DC continuity. Pérez was inked on the book by two of the best inkers in comics at the time: Dick Giordano and Jerry Ordway.
Following Crisis, Pérez was responsible for relaunching Wonder Woman, tying her more closely to the Greek gods and jettisoning many of the extraneous elements of her history. Pérez at first worked with Len Wein on the stories, but eventually took over the full scripting chores. While not as popular as either Titans or Crisis, the book was a very successful relaunch of one of DC's flagship characters.
Pérez finally returned to a major ongoing title for the third series of The Avengers, written by Kurt Busiek, where he remained for nearly three years, again receiving critical and fan acclaim for his polished and dynamic art. After leaving the book, he and Busiek worked to produce the long-awaited JLA/Avengers inter-company cross-over, which saw print in late 2003.